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There are enough of those, don’t you think? Yeah, we did one too…īut, at a time where folk was folk, rock was rock, and rarely would the two ever meet, Bob Dylan’s 1965 record Bringing It All Back Home was a revelation. Side one of this 1965 album is pretty much where it all kicked off.ĭon’t worry, this isn’t yet another article about Dylan going electric. Three words that elicit such a fierce emotional response from students of modern cultural history and casual music lovers alike. What these songs – and these albums – mean to you is their ultimate meaning.Īll I can do when thinking about the legacy of three of Dylan’s most incredible albums is offer what they’ve taught me.ĭylan goes electric. Anyone who’s determined they know exactly what’s going on in the work of Bob Dylan is most likely making up for a shortcoming in their own personality. Not legally, of course, but morally I think you’re on relatively solid ground.īecause this isn’t maths, this is art. If someone tells you you’re misunderstanding the work of Bob Dylan, you’re allowed to slap them in the face. It’s up to us to ascribe our own meanings to these rich and beautiful pieces of prose. We don’t know what the hell he’s talking about most of the time. He doesn’t do what society, in general, wants. He doesn’t do what the music industry wants. That’s why he took an eternity to respond to being awarded a freakin’ Nobel Prize.īob Dylan doesn’t do what we want. That’s why he’s spending his twilight years doing boring covers albums. That’s why the quality of his live shows are so fiercely debated. His songs aside, my two favourite things about Bob Dylan are as follows: I went looking for lessons, something people have done with Dylan’s work since he started making it.Īs I probably should have expected, the results were mixed. Rather than retell the same old stories about these three records, I thought I’d revisit them with the hope of gleaning something new. Even if you’ve not ever heard them in their entirety, their songs have been unavoidable since release. If you’re under the age of 52 these records have probably been a part of your life forever. There have been millions of words written about Bringing It All Back Home, Highway 61 Revisited and Blonde On Blonde, the three classic albums Bob Dylan somehow pumped out in the space of just 16 months in 19.
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So, this time, we’re reining it in to just three albums. Last time we gave you a pretty exhaustive look at a few aspects of this genius songwriter’s career. How could we not? It’s Bob Dylan, after all. This week is the first time we have revisited an artist for this incarnation of The J Files since it launched four years ago. Here’s a fact for any trainspotters out there. Chapter 1 Reflections On Dylan’s Mid-60s Classics Join Gemma Pike for the Bob Dylan J Files, Thursday 9 August from 8pm on Double J. But, with Bob Dylan, there are endless stories to tell and songs to play. To those eagle-eyed Dylan fans yes, we’ve been here before.
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#Blonde brilliance full
In a career full of highlights, this period may well have been his finest. That all three stand up as works of unparalleled genius over 50 years later is no easier to understand. The fact that one man could create three pieces of work like Bringing It All Back Home, Highway 61 Revisited and Blonde On Blonde in the space of just 15 months is beyond comprehension. Between Maand June 20, 1966, Bob Dylan released three of the most celebrated albums of all time.